Keyword Index

A

  • Actor's Body Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Artistic Use of Pedal A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
  • Audience Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]

B

  • Bayâte- Esfâhân “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Became in Picture Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Becoming in Picture Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Bureaucratic Institution of Education The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]

C

  • Cardboard History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Christian Cannabich The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
  • Coherency An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
  • Compositional Techniques An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
  • Cultural Capital The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]

D

  • Damper Pedal A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
  • Darâmad “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Dastgāh An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Dialogic Moments Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Dialogism Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
  • Digital Spaces Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Dionysus Opera An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
  • Dodecaphony An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]

E

  • Ebrahim Golestan Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
  • Educational Capital The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
  • Expressionist A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]

G

  • Generative Pole An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]

H

  • Harmony An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Hearing Instinct A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]

I

  • Illusionistic Environment Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Intervallic Structure An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
  • Iran Music Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]

J

  • Johann Stamitz The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]

K

  • Khesht va Ayeneh Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]

M

  • Making Instrument A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
  • Making Tar A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
  • Mannheim School The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
  • Mathis der Maler Symphnoy and Opera A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • Matthias Grünewald A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • Melodic Progression (Seyir) “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Mikhail Bakhtin Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
  • Mode “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Mode An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Motion Picture Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Mottos An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
  • Mozart’s Piano Sonatas The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
  • Music Effect Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
  • Music Epistles Ancient Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
  • Music Therapy in Iran Ancient Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]

N

  • Neoclassic A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • New Iranian Theatre The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
  • Non-Narrative Elements Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]

P

  • Paper History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Paper Statuette History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Papier-Mâché History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Parametric Narration Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Paul Hindemith A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • Pedagogy A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
  • Perception Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
  • Persian Classical Music “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Plot Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Puppetry Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]

S

  • Segāh An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Serialism Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Shot/Reverse Shot Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Soundspace An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
  • Style Devices Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]

T

  • Tar A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
  • Telematics Technology Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Template A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
  • Theater Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]

V

  • Visual Aesthetics Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]

W

  • Wolfgang Rihm An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]