A
-
Actor's Body
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Artistic Use of Pedal
A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
-
Audience
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
B
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Bayâte- Esfâhân
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Became in Picture
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Becoming in Picture
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Bureaucratic Institution of Education
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
C
-
Cardboard
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Christian Cannabich
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
-
Coherency
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
-
Compositional Techniques
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
-
Cultural Capital
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
D
-
Damper Pedal
A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
-
Darâmad
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Dastgāh
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Dialogic Moments
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Dialogism
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
-
Digital Spaces
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Dionysus Opera
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
-
Dodecaphony
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
E
-
Ebrahim Golestan
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
-
Educational Capital
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
-
Expressionist
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
G
-
Generative Pole
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
H
-
Harmony
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Hearing Instinct
A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
I
-
Illusionistic Environment
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Intervallic Structure
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
-
Iran Music
Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
J
-
Johann Stamitz
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
K
-
Khesht va Ayeneh
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
M
-
Making Instrument
A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
-
Making Tar
A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
-
Mannheim School
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
-
Mathis der Maler Symphnoy and Opera
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
Matthias Grünewald
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
Melodic Progression (Seyir)
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Mikhail Bakhtin
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
-
Mode
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Mode
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Motion Picture
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Mottos
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
-
Mozart’s Piano Sonatas
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
-
Music Effect
Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
-
Music Epistles Ancient
Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
-
Music Therapy in Iran Ancient
Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
N
-
Neoclassic
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
New Iranian Theatre
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
-
Non-Narrative Elements
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
P
-
Paper
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Paper Statuette
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Papier-Mâché
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Parametric Narration
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Paul Hindemith
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
Pedagogy
A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
-
Perception
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
-
Persian Classical Music
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Plot
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Puppetry
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
S
-
Segāh
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Serialism
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Shot/Reverse Shot
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Soundspace
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
-
Style Devices
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
T
-
Tar
A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
-
Telematics Technology
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Template
A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
-
Theater
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
V
-
Visual Aesthetics
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
W
-
Wolfgang Rihm
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
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